Prehistoric and Neolithic sculpture
Any chronological account of the origin and evolution of a sculpture should occupy several volumes, if not a whole library, respectively, its summary means that most of the historical facts…

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Sculpture (lat. Sculptura, from sculpo - carve, cut), sculpture, plastic (Greek plastike, from plasso - sculpt), a form of fine art based on the principle of a three-dimensional, physically three-dimensional…

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Aphrodite or Venus is the goddess of love. Her name has become synonymous with Love and Beauty, and to this day, artists embody in them their idea of ​​Beauty. In…

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Sculptures of the louvre museum

For a millennium, the Parisian residence of the French kings has long been the richest collection of masterpieces of world art. It is impossible to view the museum’s exposition in one day, but it’s just one day for the “organized” tourist to study this museum.

As for the sculpture presented in the museum, the most reasonable thing in the Louvre is to focus on the main masterpieces of plastic, around which the greatest attention of visitors is concentrated. The expositions of the French treasury are arranged in chronological order, in each of the sections there is something that cannot be missed.

Ancient Egypt

The “Egyptian” collection of the Louvre is one of the most impressive in the world. But the most outstanding are two works of ancient masters:
Statue of Ramses the Second at the Louvre
The statue of Ramses the Second – fascinates with its accuracy, realism and grandeur. The great conqueror, the winner of the Hittites appears before the audience deliberately severe and calm. The sculpture wonderfully conveys the mood and atmosphere of the harsh time of the great wars and equally great warriors;

Sculpture of a seated scribe in the Louvre
Sculpture of a seated scribe – it is difficult to find a school textbook on the history of the Ancient World, in which there would be no illustration depicting this famous statue. The viewer is struck, first of all, by the unusually lively and spiritualized face of the scribe. In his eyes, devotion and readiness to immediately begin to fulfill their duties. This sculpture is an example of ancient realism.


In this category of Louvre sculptures, primacy belongs to Venus of Milos and Nika of Samothrace.

Venus de Milo in the Louvre, sculpture
The first is considered the ideal of female ancient beauty. A legend is told about Venus without arms: a sculptor, looking for a model for a statue of the goddess of love for a long time, found her on the island of Milos, fell in love with her, and when the statue was ready, the unfortunate lover threw herself into her arms, angry with such an disrespectful attitude towards to her statue, Aphrodite revived the statue, which strangled the unfortunate master. So the author of the great sculpture perished, and the latter was left without hands.

Sculpture of Nika of Samothrace in the Louvre
The sculpture of Nika of Samothrace is a mystery to sculptors: several attempts were made to restore the statue in its original form – Nika tried to attach hands, but each time the whole sculpture completely lost its dynamism and upward tendency. Attempts to “improve” the antique masterpiece were abandoned and today Nika Samofraki appears before the viewer in the form in which it was discovered by archaeologists.

Middle Ages

Medieval sculpture is represented in the museum very widely: rough stone Roman crucifixes, tombstones, sculptures that adorned the once ancient churches and monasteries.

Tombstone of Philip Poe at the Louvre
In this category, special attention should be paid to the sculpture “Tombstone of Philip Poe.” Eight weepers carry on their shoulders the deceased Burgundian nobleman. Despite the nobility of origin and great achievements in life, the name of this knight is known thanks to an unknown master who performed his tombstone with extraordinary reverence and respect for the identity of the customer.


Superiority in the wealth of collections of this era in Europe belongs, of course, to Italy. However, in the Louvre you can see a number of undoubted masterpieces of the Renaissance.

Sculptures by Michelangelo “Risen Slave” and “Dying Slave”, Louvre
The main wealth of the museum in this category is Michelangelo’s two famous works: The Risen Slave and The Dying Slave. Originally intended to decorate the tombs of one of the popes, these works were not included in the final composition. The works are opposite in content: The rebellious slave is full of determination and energy – the viewer is impressed by the dynamics and desperate tension of the figure, imbued with sympathy; the dying is apathetic, his refusal of any struggle causes the viewer grief and pity. The special “handwriting” of the great sculptor, his excellent knowledge of the field of anatomy, makes his work particularly dramatic and realistic.

Baroque, Rococo and Classicism

The styles of 18-19 centuries found their best embodiment in France. That is why, among the masterpieces of the Louvre of this era, sculptures of French masters stand apart.

Cupid and Psyche, sculpture in the Louvre
The sculpture “Cupid and Psyche” adorns the collection of plastics not only in the Louvre, but also in the Hermitage. It is known that Canova created two identical works with a difference of several years. The Louvre owns an early work.

In addition to this undoubted masterpiece, the halls of the museum are full of excellent sculptures of the 18th and 19th centuries: numerous interior works, a series of sculptural portraits. Great names, great works. This section of the Louvre is unusually extensive.

Tourists are recommended to devote a separate day to the study of Baroque and Classicism halls so as not to get tired of works that are close enough in aesthetics and content.

Unfortunately, the art of modernity and modern sculpture are practically not represented in the Louvre.

Contemporary sculptural art embodied in the best works of MoMA
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